Archive for Art & Media

Jelica Cicic | Multipass Cube

17.02.2012 |  by Ado  |  Art & Media, Film & footage  |   |  Feel free to reply  |  Share

Motor City Drum Ensemble | L.O.V.E.

Motor City Drum Ensem­ble — L.O.V.E. Remixes http://www.residentadvisor.net/review-view.aspx?id=9510 Video by the29nov Films

Deepchord | Electromagnetic



Deep­chord – Elec­tro­mag­netic [Soma] from the29nov on Vimeo.

Jack Joseph Puig | Mixing Tips: Instinct vs. Intellect

23.01.2012 |  by AW  |  Art & Media, Electronic Music  |  ,  |  Feel free to reply  |  Share

PressPausePlay

Deepchord | Sofitel

Deep­chord – Sof­i­tel [Soma] from the29nov on Vimeo.

Video by the29nov Films.

Johan Grimonprez | Dial History

first pre­sented at doc­u­menta X, this great art­work was con­structed as a mash-up of rare footage, prose by don de lillo and director’s own nar­ra­tion. by johan grimonprez.

Watch movie: www.ubu.com/film/grimonprez_dial.html

William Gibson: No Maps for These Territories

Mark Neale directs this pro­longed con­ver­sa­tion with William Gib­son (famed science-fiction nov­el­ist and cre­ator of the term “cyber­space”) from the back of Gibson’s lim­ou­sine as they take a cross-country odyssey over name­less high­ways going no place in par­tic­u­lar. The cam­eras roll as Gib­son talks about his own per­sonal philoso­phies, expe­ri­ences, and opin­ions about the media-saturated cul­ture in which we live. The con­ver­sa­tion pro­vides a com­pelling glimpse at the rad­i­cal, genius writer whose 1984 novel NEUROMANCER for­ever changed the con­cept of the Inter­net, pro­pelling the author to the fore­front of the media explo­sion of the late 20th Cen­tury. Neale, a music video direc­tor, employs hyper speed edit­ing and jar­ring visu­als that com­bines var­i­ous media images with excerpts of Gibson’s nov­els, con­vey­ing a con­cep­tual jour­ney through the unchar­tered ter­ri­tory of William Gibson’s mind. This slick and styl­ish visual trip also fea­tures inter­views with writ­ers Jack Wom­ack and Bruce Ster­ling, read­ings from U2′s Bono and The Edge, and music from Tomandandy.

Cymatics | Table color resonance

20.12.2011 |  by AW  |  Art & Media, Graphics, Science  |  , ,  |  Feel free to reply  |  Share

The sand is basi­cally set­tling in the areas of the table that aren’t vibrat­ing. The dif­fer­ent shapes are caused by the table’s nat­ural res­o­nance and its har­mon­ics.
Everuthing vibrates!