Archive for Analog music

Billy Cobham | Stratus | 1973

Spectrum-Stratus.mp3

After the intro the track really lifts off at 2:55.
This beat and bassline of Stra­tus has been sam­pled by Mas­sive Attack in their tune “Safe from Harm”. From Billy’s first solo album Spec­trum. Amaz­ing how the track keeps it’s tension.

In 1971, with fel­low Davis alum­nus McLaugh­lin, Cob­ham co-founded Mahav­ishnu Orches­tra, a defin­i­tive jazz fusion ensem­ble. Cob­ham toured exten­sively from 1971 to 1973 with the Mahav­ishnu Orches­tra, who released two stu­dio albums and one live album. The orig­i­nal stu­dio ver­sions of tunes on the live album were later released as The Lost Tri­dent Ses­sions in 1999.
In May 1973, while still with the Mahav­ishnu Orches­tra, Cob­ham recorded his first solo album Spec­trum with key­boardist Jan Ham­mer, from the Mahav­ishnu Orches­tra, and gui­tarist Tommy Bolin, who later played with heavy rock band Deep Pur­ple. Just before the Mahav­ishnu Orchestra’s last tour­ing leg, in late 1973, Cob­ham recorded and toured with gui­tarists Car­los San­tana and John McLaugh­lin, in con­certs which fea­tured mate­r­ial from their album Love Devo­tion Sur­ren­der, and Cobham’s own material.

Knights of the Turntables | Fresh Mess

KnightsOfTheTurntables-FreshMess.mp3

Old skool from 1984! Hip hop or elec­tro? B-boy 808 Beats that still sound fresh When hip hop was still inven­tive and cre­ative and before the macho hip hop era!
This is one of the all time clas­sics from The nights of the turntables.The Crew was founded 1983 and the Name “Knights of the Turnta­bles” was based on the title of the Cameo Album “Knights of the Sound­table.
They fea­ture on the all time great Elec­tro street sounds col­lec­tion (My favorite vinyl from 1985). A small bit was in the movie Breakdance.

Early Hip hop record scratching

31.03.2010 |  by AW  |  Analog music, Docs & Lectures, Music, Underground, Vintage  |   |  Feel free to reply  |  Share

Scratch­ing is a DJ or turntab­list tech­nique used to pro­duce dis­tinc­tive sounds by mov­ing a vinyl record back and forth on a turntable while manip­u­lat­ing the cross­fader on a DJ mixer. Most scratches are pro­duced by mov­ing a vinyl record back and forth with the hand while it is play­ing on a turntable. This cre­ates a dis­tinc­tive sound that has come to be one of the most rec­og­niz­able fea­tures of hip hop music. Scratch­ing was devel­oped by early hip hop DJs from New York such as Grand Wiz­ard Theodore and DJ Grand­mas­ter Flash.

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Funcky Brother seventies funk

31.03.2010 |  by AW  |  Analog music, Music, Vintage  |  ,  |  Feel free to reply  |  Share

FunckyBrother_SoulDrifter.mp3

Funcky Brother from Soul Drifter, early 1970′s. Real Funk for real people!

Red Hot Chili Peppers | Their influences Interview

Famous hip hop drum breaks

18.03.2010 |  by AW  |  Analog music, Electronic Music, Music  |  ,  |  Feel free to reply  |  Share

Cool drum pro­gram­ming with the clas­sic Akai 2500!

David Bowie | Memory Of A Free Festival

10.03.2010 |  by AW  |  Analog music, Music, Vintage  |  Feel free to reply  |  Share

A truly great piece of e-poetry by David Bowie all the way from 1969.
He def­i­nitely knows what his talk­ing about…
David Bowie for the president!

Lyrics

David Bowie – Mem­ory of a Free Festival

The Chil­dren of the summer’s end
Gath­ered in the damp­ened grass
We played Our songs and felt the Lon­don sky
Rest­ing on our hands
It was God’s land
It was ragged and naive
It was Heaven

Touch, We touched the very soul
Of hold­ing each and every life
We claimed the very source of joy ran through
It didn’t, but it seemed that way
I kissed a lot of peo­ple that day

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5 octaves on piano

03.03.2010 |  by AW  |  Analog music, Humor, Music  |   |  Feel free to reply  |  Share

Annette Peacock | The Succubus

03.03.2010 |  by AW  |  Analog music, Music, Poetry, Spirit  |  , , ,  |  Feel free to reply  |  Share

From the album the per­fect release, 1979, fan­tasy aborts real­ity, yeah!

Lyrics:
Voglio una perla da cul­ti­vare I don’t need to take val­ium or opium to know how it feels to leave you. I don’t need no cocaine highs or Span­ish flies to need you. No DMT, DMC, LSD, to blow my mind. Hero­ine, mesca­line or metadream to loose the time. Any­way, drugs tends to dimin­ish my body and it seems so far­away in my mind to me. And if my hilari­ant form to yours, is a door to each our con­cen­tric souls to meet, I don’t wanna miss it. I WANT MY FEMININE BODY: CORPOREAL MIND: MATERIAL SOUL sym­pa­thize in a very finely atemp­tive in the other side of par­adise. And I don’t need no blind thoughts, wipes, boots or rub­ber suits, school girl uni­forms to turn you on. Any­way fan­tasies are only boy’s real­ity, forc­ing one to live within a dis­tor­tion. Pure skin, soul to soul, belly touch­ing, strait is great ‘cause I don’t need the pain or the hate to feel inten­sively. And I don’t need to be dom­i­nated, degraded or fla­gel­lated, and I don’t need to be extorted, exalted or sup­ported, com­pli­cated, con­tem­plated, tol­er­ated or lib­er­ated. BUT I DO NEED TO BE PENETRATED, ELEVATED AND APPRECIATED. And I need to embrace my inescapable fem­i­ni­ness, like all the ani­mals nat­u­rally embrace. Totally suc­cumb to erotic­ness of the intu­itive risk – life’s hope­ful between the guys and all dif­fer­ent falls, falls in the base of uncon­trolled cries!